This post is part of a virtual book tour organized by Goddess Fish Promotions. Pauline J. Grabia will be awarding a $10 Amazon/BN gift card to a randomly drawn winner. Click on the tour banner to see the other stops on the tour.
SOME STORIES DO NOT END WHEN THE DANGER PASSES.
Beth Clark has not returned to her hometown in decades, since the childhood she survived there nearly destroyed her.
When her estranged mother dies, Beth comes back to rural Alberta for a funeral that feels carefully rewritten. The eulogies are tidy. The past is sanitized. But inside the abandoned bungalow where she and her brother once lived, Beth finds objects that shatter the illusion—and awaken memories of abuse, neglect, and the systems that failed to protect her.
When Beth's younger brother is critically injured in a sudden accident, the present collides with the past. Keeping vigil at his hospital bedside, Beth is drawn back into the summer that changed everything: the violence in their home, the silence of those who should have intervened, and the foster family whose quiet faith offered the first real safety either child had known.
Told across dual timelines, What Remains After is a literary psychological suspense novel about trauma and memory, belief and betrayal, and the long, unfinished work of survival. It asks what it truly means to forgive—and what remains when the truth is finally spoken.
Read an Excerpt:
Coverville Baptist Church smelled musty and old, like the memories trying to escape the recesses of Beth’s mind. That’s all that remained now of her mother. Like her life, nothing at the church had changed in over forty years. It had simply aged, with splintered oak pews and grubby carpets that had been there when she was growing up.
It was unnaturally quiet in the church, which she remembered used to almost roar after a service with the lively voices of congregants discussing the sermon or what was coming up in their week. Children used to run around, shrieking and squealing in both joy and frustration. Now, it was still. Eerily so.
Beth ignored the stares from the other mourners who had arrived early for the service. When she tried to meet their gazes to say hello, they looked briefly, with pity, before looking away. She stopped looking at people. She had only arrived when she had to so she could find Otto and talk to him before it started. He wasn’t in the lobby. Maybe he was in the sanctuary.
She waited in line at the guest registry, attended to by one of the funeral directors. When it was Beth’s turn, her hand trembled as she picked up the ridiculous feathered pen and hesitated before writing down her name. Should she use her married name or her maiden name? Her ex would have a conniption if she wrote down his, and she was changing her name back anyway, so she entered “Elizabeth Clark.”
When Beth had seen her mother’s obituary on Facebook, she’d realized that, despite her hesitation, she would go to the funeral. The only other attendees were townsfolk—mostly members of Virgie’s church—and family. She suspected that most came out of curiosity rather than grief. Beth’s reasons were less clear. Her hatred for her mother had lessened over the years, but had never completely gone; still, she felt an odd urge, almost a duty, to attend. She told herself it was just an excuse to see her brother, Otto, not the urn.
About the Author
Pauline J. Grabia is a Canadian novelist whose work explores trauma, memory, faith, and the moral consequences of silence. Writing under the Stories of Consequence banner, she is drawn to stories that face difficult truths without spectacle and seek light without sentimentality. What Remains After is a literary psychological suspense novel rooted in rural Alberta and shaped by questions of survival, forgiveness, and what endures.
Instagram: https://www.instagram.com/paulinejgrabia/
Website: https://paulinejgrabia.com/
Goodreads: https://www.goodreads.com/author/show/70032333.Pauline_J_Grabia
Amazon: https://amazon.com/dp/1834384516
